( 7 reviews )
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Posted: Mar 4 2009
Some time ago I reread Northrop Frye's Fearful Symmetry before having another read through of the poems of William Blake including the longer poems The Four Zoas, Milton and Jerusalem. Despite my appreciation of Frye's book I was struck by the disconnect between many of Frye's well-expressed and coherent ideas and the poems themselves. I noticed also that Frye barely quoted from any of the poems or analyzed any passage specifically. At that point I started to look around for other texts which offered a different viewpoint from Frye to see if my dissatisfaction was justified or not. The more I read the alternative views the more convinced I became that Frye's account was seriously deficient. I do not think he is entirely wrong or that there is nothing of value in his book. However, I strongly recommend that readers interested in Blake's poetry read alternative views. The ones I have found most useful and interesting include the current book listed here as well as the following: The Four Zoas (Photographic Facsimile (Magno & Erdman), Narrative Unbound (Donald Ault), The Dialectic of Vision (Fred Dortort), Dark Figures in the Desired Country (Gerda Norvig), The Traveler in the Evening (Morton Paley), Rethinking Blake's Textuality (Molly Rothenberg),Blake's Critique of Transcendence (Peter Otto) and some of the articles in Blake's Sublime Allegory (Curran & Wittreich Eds.) I might note that after doing all this reading of the poems and about Blake I am convinced that the unpublished The Four Zoas is the central and most significant poem Blake wrote and that both Milton and Jerusalem suffer in comparison with it. The problem that Blake may have realized with the Four Zoas was that it could never be published in its authentic form due to the graphic (for the time) psychosexual content of the illustrations (the subtitle of the poem is The Torments of Love and Jealousy).
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( 1 of 1 found this review helpful ) Posted: Oct 8 2008
I have a much clearer sense of Blake's writings now that I've read this book. I took a long time in finishing it, reading some major poems by W.B. at the same time. This is really an exciting book; it brings to life a whole universe - that lived in the poet's imagination. Blake is alive today (in the spirit of his artistic creations) I am convinced. William Blake had a great gift for describing aspects of real life in a way that was inspired by the Bible, and some other imaginative or visionary artists and poets; he was also highly opinionated. It's impressive how well Frye understood Blake's gift, and his personal life, which also makes a strand of this effort, which is a literary effort in it's own right. Anyone with an interest in Blake ought to read this book. It's a tool that allows one to approach Blake's creations of writing and visual artistry with an active (as well as open) mind.
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( 3 of 4 found this review helpful ) Posted: Feb 26 2006
Northrop Frye manages to convey in sweeping master strokes the brilliance of William Blakes poetry and unlocks the mysteries of Blakes symbols. More importantly, Frye engages the reader in learning a new way to look at literature in general and open up his eyes to a deeper world.
