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Howards End

Howards End

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(Paperback)-Margaret Schlegel, engaged to the much older, widowed Henry Wilcox, meets her intended the morning after accepting his proposal and realizes that he is a man who has lived without introspection or true self-knowledge. As she contemplates the state of Wilcox's soul, her remedy for what ails him has become one of the most oft-quoted passages in literature: Only connect! That was the whole of her sermon. Only connect the prose and the passion and both will be exalted, and human love will be seen at its height. Live in fragments no longer. Like all of Forster's work, Howards End concerns itself with class, nationality, economic status, and how each of these affects personal relationships. It follows the intertwined fortunes of the Schlegel sisters, Margaret and Helen, and the Wilcox family over the course of several years. The Schlegels are intellectuals, devotees of art and literature. The Wilcoxes, on the other hand, can't be bothered with the life of the mind or the heart, leading, instead, outer lives of "telegrams and anger" that foster "such virtues as neatness, decision, and obedience, virtues of the second rank, no doubt, but they have formed our civilization." Helen, after a brief flirtation with one of the Wilcox sons, has developed an antipathy for the family; Margaret, however, forms a brief but intense friendship with Mrs. Wilcox, which is cut short by the older woman's death. When her family discovers a scrap of paper requesting that Henry give their home, Howards End, to Margaret, it precipitates a spiritual crisis among them that will take years to resolve. Forster's 1910 novel begins as a collection of seemingly unrelated events--Helen's impulsive engagement to Paul Wilcox; a chance meeting between the Schlegel sisters and an impoverished clerk named Leonard Bast at a concert; a casual conversation between the sisters and Henry Wilcox in London one night. But as it moves along, these disparate threads gradually knit into a tightly woven fabric of tragic misunderstandings, impulsive action
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User Reviews for Howards End

Overall Rating: Star FullStar FullStar FullStar FullStar Empty ( 17 reviews )
  1. Star FullStar FullStar FullStar FullStar Full Posted: Jun 22 2009

    For me the wonder of this novel was not in the story or plot as much as in the nuggets of wisdom our author left throughout the piece. Margret shares her views and thoughts on the world and herself with such intuitiveness and insight that it often made me stop to contemplate my own life. Even more, this is a beautifully written novel; I absolutely love the language used by Forster.

  2. Star FullStar FullStar FullStar FullStar Full Posted: May 10 2009

    The book is in great condition. The delivery was a little slow but it may have been due to weather. I'm a happy camper!!!

  3. Star FullStar FullStar FullStar FullStar Full ( 1 of 1 found this review helpful ) Posted: Nov 2 2008

    Most of us connect the notion of "home" or "childhood home" with one particular place, that innocent paradise we have since had to give up and keep searching for forever after. In Ruth Wilcox's world, Howards End is that place; the countryside house where she was born, where her family often returns to spend their vacations, and which, everyone assumes, will pass on to her children when she is dead. But will it really? Unbeknownst to Ruth's family, the issue is put into question when Ruth forms a friendship with her neighbor-to-be Margaret Schlegel, like Ruth herself from a middle class background but nevertheless separated from Ruth's world by several layers of society and politics: That of the Wilcox is epitomized by pater familias/businessman Henry - rich, conservative and without any sympathy whatsoever for those less fortunate than themselves ("It's all part of the battle of life ... The poor are poor; one is sorry for them, but there it is," Henry Wilcox once comments); while the Schlegels, on the other hand, have just enough income to lead a comfortable life, were brought up by their Aunt Juley, support suffrage (women's right to vote) and surround themselves with actors, "blue-stockings" (feminists), intellectuals and other members of the avantgarde. Further complexity is added when Margaret's sister Helen brings to the Schlegel home Leonard Bast, a poor but idealistic young clerk who loves music, literature and astronomy - and with him, his working class wife Jacky, the embarrassment of having to interact with her, and the even more embarrassing revelation which she has in store for Henry Wilcox; eventually leaving her disillusioned husband to comment that "books aren't real," and that in fact they and music "are for the rich so they don't feel bad after dinner." An allegory on the question who will ultimately inherit England - the likes of the Wilcox, the Schlegels, or the Basts - E.M. Forster's novel is one of the early 20th century's finest pieces of literature; a masterpiece of social study and character study alike, in which the author brings his protagonists and their environment to life with empathy and a fine eye for detail. The story's strongest character is undoubtedly Margaret Schlegel, a young woman "filled with ... a profound vivacity, a continual and sincere response to all that she encounter[s] in her path through life," as Forster describes her, and whose friendship with Ruth Wilcox, even at the beginning, already brings the two families back together again after Helen has endangered their as-yet tentaive acquaintance by engaging in a near-scandalous affair with Ruth's younger son Paul. Ultimately, Margaret and Ruth become so close that Ruth eventually decides to give Meg "something worth [her] friendship" - none other than Howards End, a wish that has her panicking family scramble most ungentlemanly for every reason in the book to invalidate the codicil setting forth that bestowal, from its lacking date and signature to the testatrix's state of mind, the ambiguity of the writing's content, the question why Meg should want the house in the first place since she already has one, and the fact that the writing is only in pencil, which "never counts," as Dolly, wife of the Wilcox' elder son Charles is quick to point out, only to be reprimanded by her father in law "from out of his fortress" (Forster) not to "interfere with what you do not understand." And so it is that Meg will only see the house (and be instantly mistaken for Ruth because she has "her way of walking around the house," as the housekeeper explains) when she and her siblings have to look for a new home and Henry Wilcox, who has started to court her after Ruth's death, suggests that the Schlegel's furniture be temporarily stored there - a fateful decision. And while Meg and Henry slowly and painfully learn to adjust to each other, the complexity of their families' relations, and their interactions with the Basts, finally come crashing down on them in a dramatic conclusion. Also recommended: Great Novels and Short Stories of E. M. Forster E. M. Forster: A Life (A Harvest Book) Howards End - The Merchant Ivory Collection A Room with a View (Two-Disc Special Edition) Where Angels Fear to Tread Brideshead Revisited The W. Somerset Maugham Reader: Novels, Stories, Travel Writing

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Product Specs for Howards End

Author: E.M. Forster
Number Of Pages: 400
Category: Mass Market Paperback
Brand: Bantam Classics
Dewey Decimal Number: 823.912
Label: Bantam Classics
Manufacturer: Bantam Classics
Product Group: Book
Publication Date: 1985-10-01
Release Date: 1985-10-01
See item at: Amazon: $4.99

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