( 5 reviews )
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Posted: Oct 5 2007
I was looking for a book on how to do watercolor portraits, and I came across the cover of this book, whose realism drew me in. I bought the book at an extremely reduced rate, although it is worth every penny of its original price. The author/artist does incredible work. She included many color pallets, which are quite helpful, and she shows the steps she went through to create some of her paintings. This was EXACTLY the kind of book I was looking for.
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( 2 of 2 found this review helpful ) Posted: Oct 15 2006
If your subject matter is pets, portraits and home scenes, Cindy Agan's "Painting Watercolors that Sparkle with Life" will be a valuable guide for how to render these subjects in transparent watercolor. The book covers how to paint faces, especially children's faces in great detail, from sketching from photos to painting flesh tones. Pets are also discussed, from how to paint fur to making the most of a bad photo of a pet (the painter can get rid of those glowing night eyes that show up in flash photos of cats and dogs--the retinal lining of nocturnal animals flashes yellow or red and you as the painter can fix that!) There is a section also on still life subjects of metal, glass and fabric and how to use masking. The demonstrations show the paintings in progress and you can see the author's sectional approach. She paints in detail section by section rather than over an entire area in layers of washes. By this I mean, the base of a crystal lamp would be painted in sectors from left to right rather than build up from the entire base with wash then darker detail. This is instructive. One thing that is not dealt with; the tendency for paintings done from photographs (portraits) to look distorted or somehow odd. The camera does get a child or pet to stand still! That does help to get a good, realistic sketch, but I can always tell if a painting of a live subject is done from a photo. There is a sort of weird angle or other odd look to it that, as an artist, really bothers me. I can go into any gallery or look at someone's work and pretty much tell if a photo was used in studio. Not the least of which also is the rendering of the depth of field --the fuzziness of background subjects. While this is attractive in some paintings, again, you get a distorted look. If you like this look in your paintings, I'd say it's fine, go for it. But for me, I have to find ways to make photographs in studio look less "studio-ized." I use several photos to get a variation in the pose, as if the model were moving. If you don't sketch from life, at least some of the time, you will have this problem. This is the only issue I have with this book and for you, it may be no issue at all. Great reference for the painter of realism and ultra-realism in water media.
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( 11 of 11 found this review helpful ) Posted: Aug 8 2005
Having bought many watercolour books over the years and not getting far due to poor instructions I decided to paint in a more forgiving medium. Then I saw the cover of Cindy Agans book. I was blown away with the painting on the cover - it looked so realistic. I couldn't believe it was watercolour. So I decided to have one more go at watercolours. In this instance you can definately tell a book by its cover!. Cindy Agan has obviously put her heart and soul into her book - sharing all she has learned, by trial and error over many years (being self-taught) she holds nothing back from the reader. Her colour swatches, hints and tips alone are worth the price of the book. I've been able to follow all the demonstrations with ease. I am so pleased with my end results and feel confident to now paint portraits, animals, flowers, etc. This book is my 'Bible' - I love to read parts of it every day. I highly recommend this beautiful book. Cindy Agan - Thank you!! Please, please write another book a.s.a.p. You have brought joy to my life.
