( 5 reviews )
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Posted: Apr 23 2009
I absolutely love this book! At first, I only bought it for my Literature class, but then I found out how wonderful it is. It may just be my love of romantic poets showing, but this is a great buy for anyone who loves classic romantic-era poetry. The list of all the poets included in this book: William Blake, Robert Burns, George Crabbe, Philip Freneau, Fitz-Greene Halleck, Sir Walter Scott, Samuel Taylor Coleridge, William Wordsworth, Hartley Coleridge, William Cullen Bryant, Walter Savage Landor, Thomas Moore, George Gordon (Lord Byron), Percy B. Shelley, George Darley, John Keats, Leigh Hunt, Thomas Hood, Winthrop Mackworth Praed, John Clare, Ralph Waldo Emerson, Henry David Thoreau, William Barnes, John Greenleaf Whittier, Jones Very, Thomas Lovell Beddoes, and Edgar Allen Poe. An impressive display to be sure. Although some of the poets only have one of their poems in the book, the wide range of poems by many differnt poets compensates nicely. This is a great read for any poetry-lovers out there. I'm really glad I bought it.
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( 3 of 3 found this review helpful ) Posted: Sep 19 2005
The great defining moment of the Romantic movement in English poetry is generally considered the publication by Wordsworth and Coleridge of 'The Lyrical Ballads' in 1797. But the editors of this anthology take an earlier point of origin and begin with the great myth - master and singer of songs of innocence and experience, William Blake. They include in their anthology not simply English Romantic poets but also the Americans , Emerson and Thoreau( Transcendentalists) and Poe. They also include a number of minor, lesser known poets. But what is most important is that they have most of the great definining poems of English Romantic Poetry, the great poems of Wordsworth, Coleridge, Shelley, Keats. There are of course as many definitions of Romanticism as there are of other key intellectual-historical concepts such as 'Nature' and 'Classicism' But one clear element is a new found emphasis on self, and subjectivity , the expression of the individual's feeling of the world. Wordsworth went to everyday life and language, to nature and the world of the ' simple people' he met in his countryside wanderings. Coleridge went to the world of myth and mystery, but they both provided in deeper ways whole worlds of feeling which were at times ' deeper than tears'. An outstanding anthology of one of the most important 'movements' or ' periods' in the world- history of poetry.
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( 7 of 7 found this review helpful ) Posted: Aug 2 2002
One of the annoying things about the received opinion about the Romantic poets is the statement that there were exactly six of them--Blake, Wordsworth, Coleridge, Byron, Keats, and Shelley. This pronouncement is usually delivered with equal conviction to assertions you usually hear only in the natural sciences--e.g., that there are three kinds of human muscle (cardiac, striated, and slow-flexing) and two kinds of stony drip-accreted icicles in caves (stalactites and stalagmites). Nor elsewhere in the area of literature do you quite hear that there were so many Russian realist novelists, so many French Symbolist poets, so many English medieval poets, etc. So it's something of a relief to read in the editors' introduction to the "Portable Romantic Poets" that American romantics are included as well, because poets don't just arrest their reading, as anthologizers usually arrest their selecting, at continental or national boundaries. It's also welcome to see the inclusion of poets who are sometimes left out because they might be felt to be minor or unpopular (Landor) or generically different (Burns) by anthologizers. This anthology is a welcome corrective to received wisdom about who actually qualifies as a Romantic. And the efficient introduction is a minor masterpiece of cultural exposition as well.
